Chu yi-an :
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Becoming-
What Am I Made of Today?
Bio-Cycle：瞬時之界 — 生物塑膠的無痕日常
30 Days Creation
Pulse Serenity
I Sell Therefore I Am
Graphic Design Project
Cave Dawn
Camping Asia
About Yi An
Becoming-
( 2026 )
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放視大賞｜複選入圍
互動投影
/ 裝置 / 網站 / Vibe coding
作品透過互動影像，將觀眾的動作轉換為畫面中的排列與變化，形成一個由資訊、符號、時間與經驗構成的視覺資訊空間。這些元素在不同時刻重新組合，形塑出「我」的輪廓。
這不是一個展示「完成的自我」的作品，而是希望讓觀者看見：人生並非固定的 Being，而是一個持續生成的 Becoming。
創作動機
通常在讀完大學之後，不管是在畢業製作，或是人生某個階段性的總結裡，大家好像都會慢慢找到一個清楚的方向，或是一個可以說出口的結論。但回頭看我這五年，做過的事情其實很雜——轉系、打工、參加各種工作坊，也接觸過劇場。在思考該如何創作一件能代表我大學所學的作品時，我卻始終想不到一個具體的答案或想法。
我開始意識到，也許不是我還沒想清楚，而是有些事情本來就沒有答案。像是為什麼會喜歡一件事物或一個人、父母為什麼要生下我們、又或者為什麼要創作——真正重要的問題，往往無法被清楚定義，也不一定需要被解答。
因此，我發現自己其實並不想去為這段經歷下定義。我選擇以「片段／碎片的人生經驗」作為創作的核心，去觀看這些經驗如何在時間中被累積、被拼湊，並逐步形塑出一個看似完整、但仍然持續變動的自我狀態。在作品中，觀者會在圖像不斷切換的過程裡，看見我所經歷的事情，也在觀看的同時，窺見屬於我的時間，甚至是我們這個世代的片段，並在其中形塑各自的想像。
這件作品並不試圖給出一個最終的結論，而是將「正在形成的過程」本身，視為創作真正想要呈現的狀態。
After graduating from university, whether through a final project or a personal reflection, many people arrive at a clear conclusion about who they are or what they want to do next.However, looking back on my own five years at university, my experiences feel scattered rather than resolved. I changed majors, worked part-time jobs, joined workshops, and became involved in theatre. When I tried to create a work that could represent everything I had learned, I realised I could not arrive at a single, concrete answer or idea.
I began to feel that not having an answer might actually be the answer itself. Some of the most important questions in life resist explanation: why we are drawn to certain people or things, why our parents chose to bring us into the world, or why we feel the need to create. What truly matters is often something that cannot be clearly defined.
Because of this, I no longer want to define my experiences in a fixed way. Instead, I take “fragments of life experience” as the core of this work, exploring how these fragments accumulate over time, connect with one another, and gradually form a sense of self that feels whole, yet remains in constant change.
Through the continuous shifting of images, viewers encounter moments from my own experiences. In the process of watching, they may also glimpse a shared sense of time—one that reflects both my personal journey and the broader condition of our generation—allowing space for their own imagination to emerge.
This work does not attempt to offer a final conclusion. Rather, it treats the process of becoming itself as the focus of the work.